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A father races
against the clock to save his six year old twins from a maniacal killer. As a television news correspondent, Alex Callahan has seen more than his share of blood and death, and he knows what it means to be afraid. What he’s never known is the stark terror that grabs him on a tranquil summer afternoon when he ceases to be an observer of the dark side, and instead becomes enmeshed in it.
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Reviews: "A parent’s worst nightmare is realized in Case’s
expertly
written new thriller. Case’s
pace reaches a fever pitch...(when) Alex... teams up with a local
albino
sleuth
and ends up on the doorstep of a witchdoctor who insists on a
nightmarish
rebirthing ritual before he’ll break his silence on the killer. Northern and "However sensitive the matter in real life, child abduction can loom as a canard when the subject of a thriller. But the pseudonymous Case (The Eighth Day, etc.) rips into the topic as if it’s never been used before. Jaded readers will snap to attention when reporter Alex Callahan returns home to find shiver-inducing clues---a bowl of water, an origami rabbit, a row of Mercury dimes---in the bedroom of his six-year-old twins, who’ve just been kidnapped…. It’s all in the telling and Case does it just right: no clue, moment, or character unturned." - Kirkus Reviews (starred review) "Fans will be stunned by the level of tension that grows to an unbelievable crescendo in what is going to be recognized as one of the best thrillers of the year." - Harriet Klausner |
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'I
Have Seen the Indian Rope Trick' by Harry Price I have seen the Indian Rope Trick. At least, I have seen a clever representation of that great illusion which has intrigued newspaper correspondents for so many years. The performer of the Trick was Karachi, assisted by his diminutive son Kyder, aged eleven. Before I proceed
further, I had better describe the Rope Trick of tradition. There are
many versions, but the story which makes its perennial appearance in
the Press is more or less as follows: a fakir, dressed in flowing
garments, and accompanied by one or more assistants, selects a site for
the Trick and proceeds to collect a crowd, which he carefully places.
The performer takes a long rope, uncoils it, swings it round his head
and lets the free end soar skywards-where it remains. With words which
sound like imprecations, he commands a frightened-looking youngster to
climb the rope. The boy obeys and disappears into the clouds. With a
knife between his teeth the fakir follows the boy, disappears, and a
few moments later, to the accompaniment of ear-piercing screams, the
horrified spectators see pieces of boy, mutilated and gory, tumbling
out of the blue. When the shock of the 'tragedy' is at its height, they
are amazed to see the fakir re-coiling his rope, at the same time as
the 'victim' is found at the back of the crowd, begging for baksheesh.
That is the traditional Rope Trick, stripped of its trimmings. |
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Voodoo: |
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Origami: An intricate origami rabbit left on the dresser of
Alex
Callahan’s abducted children serves as an important clue in the book. Here are a couple of links: http://www.origami.as (click on an illustration or gallery) |
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Magic Castle
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Magic: While doing research for The Murder Artist, we thought we ought to learn at least one good solid card trick. Exploring the notion, we learned about a really impressive trick, the secret of which could be purchased. So we sent off and ordered it from a magic supply shop. Reading the opening line of the instruction booklet caused much hysteria on the part of the authors (and instant abandonment of the notion of learning the trick): “Begin,” noted the instructions, “with a deceptive but simple Erdnase False Shuffle.” As the research phase of the book progressed, we learned that most magicians start as children, because only children have the patience to endure the endless practice necessary to perform magic. |